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Perhaps the earliest mention of frequency hopping in the open literature is in radio pioneer Johannes Zenneck's book Wireless Telegraphy (German, 1908, English translation McGraw Hill, 1915), although Zenneck himself states that Telefunken had already tried it.

The German military made limited use of frequency hopping for communication between fixed command points in World War I to prevent eavesdropping by British forces, who did not have the technology to follow the sequence. [1]

A Polish engineer, Leonard Danilewicz, came up with the idea in 1929.[2] Several other patents were taken out in the 1930s, including one by Willem Broertjes (U.S. Patent 1,869,659, issued Aug. 2, 1932).

During World War II, the US Army Signal Corps was inventing a communication system called SIGSALY, which incorporated spread spectrum in a single frequency context. However, SIGSALY was a top-secret communications system, so its existence did not become known until the 1980s.

The most celebrated invention of frequency hopping was that of actress Hedy Lamarr and composer George Antheil, who in 1942 received U.S. Patent 2,292,387 for their "Secret Communications System." This early version of frequency hopping used a piano-roll to change between 88 frequencies, and was intended to make radio-guided torpedoes harder for enemies to detect or to jam. The patent was rediscovered in the 1950s during patent searches when private companies independently developed Code Division Multiple Access, a civilian form of spread-spectrum.