主题：最喜欢的一个电影片段... 希望河里也有朋友喜欢 -- 煮酒正熟
是圣贤，才跳得出这个圈子。
我要为毛锥子兄花！
不过不论是那个片子的内容，或者这首马赛曲都没有感动过我。
这个片子给我的感觉就像是小孩子在玩过家家，太华丽了，不真实。很浮的感觉，我说不清楚那种感觉。
举个例子吧，我第一次知道马赛曲，是很小的时候看赵丹演的一个电影，聂耳，那里面有个片断是有一些后方的慰问团去前线慰问伤兵，有几个花枝招展的歌女的为伤兵演唱，忘了是什么了，大概就是夜上海，茉莉花这类软绵绵的歌。那些伤兵很反感，不爱听。一个伤兵在床上掉转身子，把依在床边的拐杖碰到了，发出很大的声音，那些女的吓了一跳，就停了下来。聂耳他们看到气氛有些尴尬，就上去唱了一首马赛曲，使用外语唱的是不是法语我就不知道了。节奏很激昂，伤兵们都听得津津有味。聂耳就说我们一定要写出我们中国人的马赛曲。他后来就真的写出来了。
这个片子里的人唱马赛曲的时候给我的感觉就和那些歌女唱歌的感觉差不多。
这部电影里的这首马赛曲及这个场面从来没有感动过我。要说整部片子感动我的是爱情。
这类的电影，真的是应该看看前苏联的片子，那种淡淡的而又凝重的味道，那种甚至是有些缓慢的节奏。相比之下，卡萨布兰卡，小孩子的爱情游戏罢了。
感动？谈不上！
纳粹德国可是摧毁残暴的法国殖民者的正义一方。
补充：发完才看到已经有大侠提出这个问题了
建议重温俺的最爱：虎口脱险。
[FLASH]http://www.youtube.com/v/yLrtkFJ-6-w[/FLASH]
这段历史俺确实不了解。经你提示，俺去搜了几篇文章看了看，老锥所言属实。花一道。
我承认，这部影片是纯粹白人立场的。这一点其实从里克与山姆的关系也可以看得出，山姆对里克忠心耿耿，里克对山姆则是一种居高临下的友好和爱护。多少会令人联想到白人骨子里那种自高一等的心态。
对祖国沦丧的愤懑和激越也是纯粹白人立场的。白人的失国之痛就是如何如何深重、如何值得大肆渲染，北非人的失国之痛就可以无视...
我想，大部分人都不了解这段历史。所以在看到这一幕时会很容易被感动和震撼。了解法西在北非所为的人不被感动，很正常。
至于俺... 因为看的时候不了解那段历史，即使现在了解了，但先入为主的印象太深刻了，还是会喜欢。好比我爱上了一个女孩儿，后来得知她曾做过妓女，多半我还是会继续爱她、准备娶她。其实我发现自己是一个对音乐很敏感，也很容易被音乐所感动的家伙... 还喜欢看帅哥靓妹 ... 就是所谓的声色犬马吧... 喜欢这一幕，音乐因素大概占了50%，视觉享受又占了20%... 其实我最喜欢的几部中国老电影，想想也都是因为音乐的缘故，比如红色娘子军、天山上的来客、董存瑞...
这里重新贴一哈
[FLASH]http://www.youtube.com/v/yLrtkFJ-6-w[/FLASH]
不等于法国民众没有反抗精神。 大家是不是总想着法军的窝囊，忽视了法国抵抗组织的英勇？
[FLASH]http://www.youtube.com/v/ehkFdOzozQ0[/FLASH]
电影里的这一幕我也有印象，但当时就觉得唱者嗓音太奶油了，不喜欢。这还不是主要的，最主要的是，这首歌你让一个人唱，怎么着都不好听，只有成千上万人一起唱才令人感到震撼和激动
[FLASH]http://www.youtube.com/v/f2My5WHfENI[/FLASH]
[FLASH]http://www.youtube.com/v/ViXFFgGVQKY&mode=related&search=[/FLASH]
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要说看的也应该有一些，现在能想起来就一个：《这里的黎明静悄悄》，前一阵子cctv-8放的《兵营岁月》好像也是这个题材。
锦候兄能推荐几个类似的片子吗？
刚看两句就差点儿没乐翻 想起江core的名句了：Too simple! Sometimes naive! 而且还得加上一句：Americans' English Sux...
I may be prejudiced by the fact that I absolutely hate romance. Romantic comedy and musicals I can stand (to an extent, as I don’t like An American in Paris). But I hate pure romance.
I came into the movie thinking it was something like Notorious, romantic suspense or something of that nature. I was incredibly wrong. It was pure romance, pure romance.
Basically the plot is this: Rick (Humphrey Bogart), who runs a bar in Casablanca, where all the refugees go (during WWII), sees an old flame (Ingrid Bergman) again. This recalls the days in Paris shortly before he left. She comes and talks to him. She says she’s married to this guy (Paul Hendrid). Rick had seen them together in his bar. The guy is prominent on the Nazi blacklist
and so the Gestapo, who just arrived, want to see to it that he stays in Casablanca. There are some twists and the movie ends.
Seen that way, it seems absurd that anyone could stretch this over the course of a movie an hour and forty minutes long. Frankly it is. Sure, I cut out all the mushy parts and the fancy lines (“Here’s looking at you, kid!”), etc.
Claude Rains and Peter Lorre are the best actors of the bunch. Bergman is okay. Hendrid sort of mutters his lines so it’s hard to understand them.
I hate Bogart’s voice─it’s raw, high-pitched and sort of shrill. That and he kind of slurs or has a lisp or something. And his looks─his face looks like a hollowed out corps─haggard. Probably he was on drugs or alcohol.
The opening was horrible. Unnecessary and left me wondering who the movie was going to be about. I mean, I have no problem with establishing shots.
But never should the camera stop on a person and should those people have an honest to goodness line (not brushing over). It makes you think the movie’s gonna be about them. But the opening to this movie does that constantly.
People say this is the best movie that has ever been made. I’ll second that, with one minor modification, “it’s the worst movie that has ever been made”. Fine, maybe not the worst. But just plain stupid. Not worth watching again. No tension, no real suspense. It’s a good movie to see what WWII was like (this was made before it was over). Other than that, it stinks on ice.
不过俄罗斯的名著大多都改编成过电影，象《静静的顿河》，《复活》，《安纳卡列琳娜》都有，都不错的。
前苏联的片子很多的，不过就是节奏慢得厉害。有些磨人。
前几天下载了《春天的17个瞬间》也蛮好的。verycd上有，用电驴下。